In this lesson, we analysed our "Theatre Uncut" performance pieces that covered the topic of "Immigration in the media".
I was assigned the role of "Eddie Reeves" in the short play, "Church forced to put up gates after font is used as wash basin by migrants" by Mark Thomas.
From reading the script and analysing the themes/context of the play, I gathered that my character represented the "caricature" of the "right-wing news reporter of the 21st century", loosely based upon the ideologies of the "Daily Express" Newspaper.
The remainder of the lesson was allocated to reading through the script, familiarising myself with the "given circumstances" of "Eddie" which I interpreted as "racist" and "misogynist".
The remainder of the lesson was allocated to reading through the script, familiarising myself with the "given circumstances" of "Eddie" which I interpreted as "racist" and "misogynist".
From discussing my character with peers in class, I was able to gather ideas on how I was going to convey my character of a "rich/fat capitalist" on stage.
What Went Well?
Understating the themes/context of the performance, gave me some insight into how I was going to present the character of "Eddie" on stage.
My confident understanding of Brecht and "caricatures" helped me in this process and gave rise to a number of extravagant possibilities into how I was going to present myself in an exaggerated Brechtian fashion much like the representation of a "Fat Capitalist".
The "given circumstances" allowed me to play around with my character, broadening my understanding of what it meant to be "powerful".
Overall, I was able to utilise the skills and techniques of Brecht such as "Gestus" in presenting a character which represented "status" and "gluttony".
Even better if?
I believe I would have gained more from my character if I began in the first lesson of "performance work" to transfer all my ideas of Brechtian performance and the themes of "power" and "status", into a practical exploration of my character, instead of basing the lesson solely on theoretical understandings, with "note-taking" on ways in which I could create a convincing character.
I understand however, that a character can only appear "convincing" if preparation and theory is applied before the practical rehearsal process begins.



